we were born to break the doors down

Rae | 22 | Athens, GA

Current Forecast: SnK, Pacific Rim, Bleach, Star Trek TOS and Reboot, Star Wars, Spartacus, Avengers, LOTR/The Hobbit, Sherlock Holmes (Granada and RDJ)

littlesmartart:

motivating tos triumvirate! thinking about making these into stickers or a postcard

dedicated to searchingforspock, hope these can cheer you up <3

(via shatterdomerockstars)

synergyfox:

There’s some ships you ship… that have massive amounts of shippers right along with you. Then there’s the ships… those ships you have that are near and dear to your heart where you’re in a fucking canoe with like… four other people.

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(via amarielah)

bedlamsbard:

I put this in the tags of this reblog the other day, but I guess I might as well make a post out of it.  And add pictures, because hey, why not.

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Sometimes during the duel in TPM I think about Qui-Gon lying on the floor, knowing he’s dying, listening to Obi-Wan screaming, knowing that as soon as those ray shields go down Obi-Wan’s going to come through and go after Maul on his own.  And if Qui-Gon, a Jedi master, couldn’t defeat Maul, then there’s barely a snowflake’s chance in hell that his apprentice can, which means he’s going to have to lie there helpless on the floor and listen to Obi-Wan die.  He can’t pick up his lightsaber.  He can’t even turn his head to watch.  He can’t give Obi-Wan any help.

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So when the ray shields go down and Obi-Wan comes through, all he can do is listen to the duel, to the clash of lightsaber on lightsaber and flesh on flesh.  They’re not yelling, they’re not taunting each other: they’re fighting to the death, deadly and quiet and he can’t see what’s happening, just the occasional flash of a lightsaber now and then.  It’s a small space to fight in, but somehow the duel doesn’t come near him.  Obi-Wan’s still putting himself between Maul and Qui-Gon.  There’s hope, a little, but not much.  Obi-Wan’s good, but he’s not that good.  Qui-Gon’s better, and look where he is now.

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And then Obi-Wan goes over the reactor shaft.

And Qui-Gon knows he’s not dead, not yet, but he hears Maul kick his lightsaber over, listens to the sound of Maul’s lightsaber on metal as he sends sparks showering down onto Obi-Wan.  And thinks, “this is the end.  I failed.  No one’s going to be able to tell the Council what happened and this is important.  This is the Sith.”  It’s not even that his apprentice is going to die.  It’s that his apprentice is going to die and Qui-Gon is going to be there and not be able to do anything and that is torture.  And that this is maybe the single most important event in the history of the Jedi Order — the return of the Sith — and no one is going to survive to tell the Council.

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Just think about that.  Qui-Gon was alive through the entire duel.  He was dying — but he was still alive.  And he couldn’t even turn his head to watch.

(via amarielah)

phantomrose96:

There’s such an important difference between

  • I’m so upset by this character’s death! I loved them so much and it was such an emotionally charged moment! I need a week to compose myself.
  • I’m so upset by this character’s death! I loved them so much and their death was utterly pointless. It was done for unnecessary shock value and the plot will definitely suffer for it. I need a week to stop fuming.

(via realfenris)

sardonic-grin:

the face erwin makes when that guy asks him if he and levi have any human feelings is so upsetting

image

please protect this man

(via mmmakishimaaa)

apriki:

MARAUDERS, NO QUESTIONS ASKED. But since you did ask, let’s jump on that….
MARAUDERS: THE SERIES
 Okay so - five seasons, BBC produced OR HBO in Game of Thrones style, keeping it British (JKR would insist, as she should). 12-14 episodes a season, potential Christmas special at the end of season 4. The first three seasons are MWPP’s fifth, sixth and seventh years, starting about midway through their 5th. 
The pilot uses Harry as a framing device - it’s needed to establish the world and time period etc etc - maybe in third year, when Snape is digging in to Papa Potter? Harry then walks along the Hogwarts corridors, thinking about his father, and everything Dumbledore and Lupin have said about him, until he finds himself in the trophy room looking at one of James’ Quidditch medals. Harry says “my dad didn’t strut”, and we close in on the medal…
….only to pan out on James, strutting along the same corridor. Remus, Sirius and Peter fall in, and we watch them as they head in to class. James is your typical asshole of a 15yo, eating an apple and accidentally bumping into people, only to grin and give them fingerguns instead of apologising as he keeps on walking. Remus has his nose in a book, Sirius is poking at his ear with a quill, and Peter’s trying get Sugar Quill residue off his fingers. They walk into Transfiguration, their usual boisterous selves, not noticing a red headed girl rolling her eyes and turning away from them to talk to her friends, or a skulking boy in a group of Slytherins behind her, glaring at them.
AND SO WE BEGIN.
Each of the first four seasons would use one of the Marauders as a viewpoint into the main plot:
Season 1 - Peter, as he feels like he belongs less than the others, and his practical hero-worshipping of his friends means that he views them outside of his relationship with them, and is thus a good starting point for the viewer. Season one also introduces us to the Marauders era Slytherins, and we follow their story in a parallel to MWPP. Lily and Snape’s friendship, their subsequent fall out, and Snape’s further immersion into the Dark Arts are the season’s main subplot. Snape’s Worst Memory happens in about episode 9.
Season 2 - Remus. Season 2 covers MWPP’s sixth year, as they grow older and the war outside of Hogwarts begins to impact more on their isolated world. Lily and James begin to become friends - well, she dislikes him less - and this impacts on Snape, who begins to write in the margins of his potions textbook. Sirius starts to feel more pressure from his family and moves out; this makes him wilder than ever, culminating in the Snape prank (about episode 11). This is filmed to be a cruel trick, and we see the full blow out afterwards between Sirius and Remus. Snape approaches Lily in the aftermath and attempts to tell her about Remus, villifying James in the process; she tells him that she knows about Remus, and that Snape cannot reveal the secret. The season ends with Remus and Sirius still at odds, although partially reconciled, and James saying he just assumed that Sirius would be moving in with him.
Season 3 - This year focuses more on James, beginning when he and Sirius decide to crash a pureblood party at the Malfoy’s. They make their getaway, running past three girls, on Sirius’ new bike, which still has some…. kinks to be smoothed out - they almost fall out of the sky more than once. They return home to the news that James has been made Head Boy; Sirius thinks it’s the most hilarious news he’s ever heard, but James is determined to use the opportunity to get closer to Lily (“I am TELLING you she’s Head Girl, Padfoot!”) The gang head back to Hogwarts - crossing paths with Narcissa Black - who had seen them run out at the Malfoy’s - on the train station. She becomes our focus Slytherin character for the season. Lily and James’ romance takes a front position in this season, with the mending of the Sirius/Remus relationship as a subplot. The season also has flashbacks to the group’s younger years, focusing on the Animagus process.
Season 4: TIME JUMP. We go forward two years into the middle of the war. I see the final two seasons as one whole arc, with the season 4 establishing the various dangers of the war and MWPP’s role in it - focusing on Sirius, as suspicion starts to take hold of the group and their lives get more and more perilous. Through Sirius we get the Regulus subplot and our view into the Death Eaters, following Snape, the Blacks and the Malfoys. Two of Lily and James’ “thrice defied” events happen throughout the season. Remus is sent undercover into the werewolf community and drifts apart from the Order, causing the others to confide in him less and less. Peter sees this and, in the season finale, meets up with a Death Eater.
Season 5: We begin with the announcement of Lily’s pregnancy. The fighting gets worse - there are battles and disappearances every day, both sides begin to lose friends and mentors. Narcissa’s pregnancy is played out as a parallel to Lily; she and Lucius grow closer and begin to resent the influence of Voldemort on their lives. They strengthen as a family unit and at the end of the season decide to break away from their Death Eater friends (and family). The prophecy is told, Harry is born, Lily and James go into hiding. Sirius continues to fight in the war, becoming friends with the Prewett brothers and eventually witnessing their deaths, Snape becomes worried for Lily, makes the deal with Dumbledore, and begins sabotaging Death Eater missions he thinks may harm her, Karkaroff flees England, the Longbottoms announce that they’re expecting, Peter begins passing information on to Voldemort himself, Remus is thrown out of a werewolf meetup when they discover he’s a spy. 
The season finale is two hours long. It begins with Harry’s first birthday - Bathilda Bagshot is present, and speaks of Grindlewald. The scene changes, and Sirius is sitting with Kingsley and a few other Order members - they’ve just heard the news of the McKinnons. Moody comes in with blood everywhere; he’s lost an eye. Sirius can’t stand to look at the blood and begins to walk out - then catches sight of Remus in the hall. He confronts Remus, asking where he’s been - Remus can’t say, under Dumbledore’s orders. They end up in a fist fight, beating each other senseless until they’re separated. They don’t speak again for fourteen years. It’s a cold day, and windy - Lily goes outide and pulls the clothes off the line before they can blow away. She and James decorate their cottage with jack o’ lanterns and streamers, and dress Harry up as a little Merlin in a purple gown. They eat Halloween dinner together, the three of them, and James jokes about how “it’s nothing on a Hogwarts feast - just you wait and see, Harry!” Lily goes to put Harry to bed - we watch as she changed him into his pyjamas, lays him in the crib and sings to him - until she’s cut off mid song by a blast downstairs. She’s at the door when she hears James scream, and then there’s a green flash of light, bright and cold, and she runs back to the crib, too choked with fear to even cry for her dead husband. A hooded man steps in the doorway, blocking out all the light. The screen is still black when we hear the revving of a motorcycle as it touches down on the ground. Sirius stands in front of the ruined house, and there are no words for the look on his face. He makes a sound - more animal than human - and before even knowing why, he starts forward, searching among the rubble. He hears a sound, and digs underneath the debris, forgetting his wand entirely, until he finds Harry, crying, the scar still bleeding. Sirius doesn’t know how long he stands there, holding the baby, until suddenly Hagrid is behind him, saying something about Dumbledore, and argues for a while but hands Harry over anyway, saying Hagrid can take the bike. It’s only then that Sirius thinks of Peter. Hagrid says something else, but Sirius doesn’t hear him, doesn’t hear anything - he Apparates, and he’s not even landed before he’s running, up and into Peter’s apartment, banging through the door and making things explode like he did when he was young and couldn’t control his magic. We follow Sirius through the confrontation with Peter and his arrest. Sirius is dragged away, laughing and crying manicallay, cut in a montage to parties and celebrations, random wizards and the Order, a thousand people cheering and smiling and all whispering “For him! The Boy who Lived! Harry Potter!” And, finally, a baby and a letter, lying side by side in front of a Surrey door.

apriki:

MARAUDERS, NO QUESTIONS ASKED. But since you did ask, let’s jump on that….

MARAUDERS: THE SERIES

Okay so - five seasons, BBC produced OR HBO in Game of Thrones style, keeping it British (JKR would insist, as she should). 12-14 episodes a season, potential Christmas special at the end of season 4. The first three seasons are MWPP’s fifth, sixth and seventh years, starting about midway through their 5th. 

The pilot uses Harry as a framing device - it’s needed to establish the world and time period etc etc - maybe in third year, when Snape is digging in to Papa Potter? Harry then walks along the Hogwarts corridors, thinking about his father, and everything Dumbledore and Lupin have said about him, until he finds himself in the trophy room looking at one of James’ Quidditch medals. Harry says “my dad didn’t strut”, and we close in on the medal…

….only to pan out on James, strutting along the same corridor. Remus, Sirius and Peter fall in, and we watch them as they head in to class. James is your typical asshole of a 15yo, eating an apple and accidentally bumping into people, only to grin and give them fingerguns instead of apologising as he keeps on walking. Remus has his nose in a book, Sirius is poking at his ear with a quill, and Peter’s trying get Sugar Quill residue off his fingers. They walk into Transfiguration, their usual boisterous selves, not noticing a red headed girl rolling her eyes and turning away from them to talk to her friends, or a skulking boy in a group of Slytherins behind her, glaring at them.

AND SO WE BEGIN.

Each of the first four seasons would use one of the Marauders as a viewpoint into the main plot:

  • Season 1 - Peter, as he feels like he belongs less than the others, and his practical hero-worshipping of his friends means that he views them outside of his relationship with them, and is thus a good starting point for the viewer. Season one also introduces us to the Marauders era Slytherins, and we follow their story in a parallel to MWPP. Lily and Snape’s friendship, their subsequent fall out, and Snape’s further immersion into the Dark Arts are the season’s main subplot. Snape’s Worst Memory happens in about episode 9.
  • Season 2 - Remus. Season 2 covers MWPP’s sixth year, as they grow older and the war outside of Hogwarts begins to impact more on their isolated world. Lily and James begin to become friends - well, she dislikes him less - and this impacts on Snape, who begins to write in the margins of his potions textbook. Sirius starts to feel more pressure from his family and moves out; this makes him wilder than ever, culminating in the Snape prank (about episode 11). This is filmed to be a cruel trick, and we see the full blow out afterwards between Sirius and Remus. Snape approaches Lily in the aftermath and attempts to tell her about Remus, villifying James in the process; she tells him that she knows about Remus, and that Snape cannot reveal the secret. The season ends with Remus and Sirius still at odds, although partially reconciled, and James saying he just assumed that Sirius would be moving in with him.
  • Season 3 - This year focuses more on James, beginning when he and Sirius decide to crash a pureblood party at the Malfoy’s. They make their getaway, running past three girls, on Sirius’ new bike, which still has some…. kinks to be smoothed out - they almost fall out of the sky more than once. They return home to the news that James has been made Head Boy; Sirius thinks it’s the most hilarious news he’s ever heard, but James is determined to use the opportunity to get closer to Lily (“I am TELLING you she’s Head Girl, Padfoot!”) The gang head back to Hogwarts - crossing paths with Narcissa Black - who had seen them run out at the Malfoy’s - on the train station. She becomes our focus Slytherin character for the season. Lily and James’ romance takes a front position in this season, with the mending of the Sirius/Remus relationship as a subplot. The season also has flashbacks to the group’s younger years, focusing on the Animagus process.
  • Season 4: TIME JUMP. We go forward two years into the middle of the war. I see the final two seasons as one whole arc, with the season 4 establishing the various dangers of the war and MWPP’s role in it - focusing on Sirius, as suspicion starts to take hold of the group and their lives get more and more perilous. Through Sirius we get the Regulus subplot and our view into the Death Eaters, following Snape, the Blacks and the Malfoys. Two of Lily and James’ “thrice defied” events happen throughout the season. Remus is sent undercover into the werewolf community and drifts apart from the Order, causing the others to confide in him less and less. Peter sees this and, in the season finale, meets up with a Death Eater.
  • Season 5: We begin with the announcement of Lily’s pregnancy. The fighting gets worse - there are battles and disappearances every day, both sides begin to lose friends and mentors. Narcissa’s pregnancy is played out as a parallel to Lily; she and Lucius grow closer and begin to resent the influence of Voldemort on their lives. They strengthen as a family unit and at the end of the season decide to break away from their Death Eater friends (and family). The prophecy is told, Harry is born, Lily and James go into hiding. Sirius continues to fight in the war, becoming friends with the Prewett brothers and eventually witnessing their deaths, Snape becomes worried for Lily, makes the deal with Dumbledore, and begins sabotaging Death Eater missions he thinks may harm her, Karkaroff flees England, the Longbottoms announce that they’re expecting, Peter begins passing information on to Voldemort himself, Remus is thrown out of a werewolf meetup when they discover he’s a spy. 
  • The season finale is two hours long. It begins with Harry’s first birthday - Bathilda Bagshot is present, and speaks of Grindlewald. The scene changes, and Sirius is sitting with Kingsley and a few other Order members - they’ve just heard the news of the McKinnons. Moody comes in with blood everywhere; he’s lost an eye. Sirius can’t stand to look at the blood and begins to walk out - then catches sight of Remus in the hall. He confronts Remus, asking where he’s been - Remus can’t say, under Dumbledore’s orders. They end up in a fist fight, beating each other senseless until they’re separated. They don’t speak again for fourteen years. It’s a cold day, and windy - Lily goes outide and pulls the clothes off the line before they can blow away. She and James decorate their cottage with jack o’ lanterns and streamers, and dress Harry up as a little Merlin in a purple gown. They eat Halloween dinner together, the three of them, and James jokes about how “it’s nothing on a Hogwarts feast - just you wait and see, Harry!” Lily goes to put Harry to bed - we watch as she changed him into his pyjamas, lays him in the crib and sings to him - until she’s cut off mid song by a blast downstairs. She’s at the door when she hears James scream, and then there’s a green flash of light, bright and cold, and she runs back to the crib, too choked with fear to even cry for her dead husband. A hooded man steps in the doorway, blocking out all the light. The screen is still black when we hear the revving of a motorcycle as it touches down on the ground. Sirius stands in front of the ruined house, and there are no words for the look on his face. He makes a sound - more animal than human - and before even knowing why, he starts forward, searching among the rubble. He hears a sound, and digs underneath the debris, forgetting his wand entirely, until he finds Harry, crying, the scar still bleeding. Sirius doesn’t know how long he stands there, holding the baby, until suddenly Hagrid is behind him, saying something about Dumbledore, and argues for a while but hands Harry over anyway, saying Hagrid can take the bike. It’s only then that Sirius thinks of Peter. Hagrid says something else, but Sirius doesn’t hear him, doesn’t hear anything - he Apparates, and he’s not even landed before he’s running, up and into Peter’s apartment, banging through the door and making things explode like he did when he was young and couldn’t control his magic. We follow Sirius through the confrontation with Peter and his arrest. Sirius is dragged away, laughing and crying manicallay, cut in a montage to parties and celebrations, random wizards and the Order, a thousand people cheering and smiling and all whispering “For him! The Boy who Lived! Harry Potter!” And, finally, a baby and a letter, lying side by side in front of a Surrey door.

revolutionator:

calumnw:

in Cars 2 one of the racecars mentions their mother. and then the racecar waves to his mother in the audience. one automobile birthed another automobile. 

when Mater tries to convince a car that he is not a spy, he says “i’m not a spy. my specialty is towing and salvage”. the car responds by saying “right. and mine is developing iPhone apps” before winking. not only is this a poorly placed pop cultural reference, but they have iPhones in this world. smartphones. Cars can hold mobile phones and use them and use their touch screen for various uses.

in Cars 2 there is a Pope. The pope is a car in a pope hat. he rides around in a Popemobile. a CAr is riding in another car. they make reference to the Popemobile. “is the Popemobile Catholic?”, Mater says as a “well duhhh” moment, much like our saying, “Is the Pope catholic?”. presumably this means the Popemobile is employed and must be specifically Catholic in order to be the chauffeur and carrier to the regular pope. Also, Catholicism is in this Universe. this means that there must have been an actual Jesus Christ car. also they mention at one point that gasoline is a “fossil fuel. as in dead dinosaurs!” so there must have been dinosaurs at one point in the Cars universe but were they actual dinosaurs or car dinosaurs how did this civilsation start how did the 

i read this aloud to smoosh an made it to the last paragraph before i started laughing uncontrollably

(via kogiopsis)

whatbethsays:

yes but consider this for your otp:

  • being reunited after surviving the zombie apocalypse unknowing if the other was alive or dead AU
  • rescuing their partner from a recon mission gone wrong AU
  • drama school rivals being cast as romantic opposites because they have “crazy sexual tension” according to their director AU
  • "are we both robbing the same house oh fuck" AU
  • growing up together in a rough neighbourhood AU
  • mutual friends always dragged to the same inane barbecues AU

(via sheismycopilot)

Hermann Gottlieb: I predict that the increased traffic will force the breach to stabilize and remain open long enough to get the device through and collapse its structure.

(via gottliebe)